American Impressionist Painter, 1874-1939 was an American Impressionist painter. He was born in Owosso, Michigan and studied at the School of the Art Institute of Chicago and the Academie Julian in Paris. Frieseke and his family resided for fourteen years in Giverny, which was also home to Monet. He had a great influence on the Americans at the colony there  Related Paintings of Frieseke, Frederick Carl :. | The Birdcage | The Garden Parasol | Lady Trying On a Hat | Lady in a Garden | Portrait of Madame Gely - 1 |
Related Artists:
Bill Traylor
African-American Folk Artist, ca.1856-1949 was a self-taught artist born an Alabama slave. Unable to read or write, he first began drawing in 1939 at the age of eighty-three. He worked full-time for the next four years to produce over eighteen hundred drawings. He used a straight edge to create geometric silhouettes of human and animal figures which he then filled in with crayon and tempera. He is known for his intriguing use of pattern versus flat color and a remarkably intuitive sense of space. He started hanging his works on a nearby fence to entertain the locals. One of his first fans was Charles Shannon, a painter who introduced Traylor to the New South regionalist artists and organized two shows of his work before his death. Since then, Traylor has become one of the most highly sought-after outsider artists.
Gunnar aberg
Gunnar Berg (21 May 1863 -23 December 1893) was a Norwegian painter, known for his paintings of his native Lofoten. He principally painted memorable scenes of the everyday life of the local fishermen.
BIJLERT, Jan van
Dutch painter, Utrecht school (b. 1597/98, Utrecht, d. 1671, Utrecht) Dutch painter. He was the son of the Utrecht glass painter Herman Beerntsz. van Bijlert (c. 1566-before 1615). Jan must have trained first with his father but was later apprenticed to the painter Abraham Bloemaert. After his initial training, he visited France and travelled to Italy, as did other artists from Utrecht. Jan stayed mainly in Rome, where he became a member of the Schildersbent; he returned to Utrecht in 1624. In Rome he and the other Utrecht artists had come under the influence of the work of Caravaggio; after their return home, this group of painters, who became known as the UTRECHT CARAVAGGISTI, adapted the style of Caravaggio to their own local idiom. The Caravaggesque style, evident in van Bijlert's early paintings.